Here you will get the detailed summary of IGNOU MEG 2 Block 7 –T.S. Eliot: Murder in the Cathedral.
We have provided the summary of all units starting from unit 1 to unit 5.
Introduction
Block 7 of MEG-2 delves into T.S. Eliot’s Murder in the Cathedral, a verse drama first performed in 1935. The play dramatizes the assassination of Archbishop Thomas Becket in Canterbury Cathedral in 1170, exploring themes of martyrdom, spiritual conflict, and the tension between temporal and eternal authority. Eliot’s work is noted for its fusion of poetic form with dramatic structure, drawing on classical Greek tragedy and medieval religious drama.
Unit 1: T.S. Eliot’s Essays and Other Works Related to the Play
This unit examines the critical essays and other writings by T.S. Eliot that provide insight into the themes and structure of Murder in the Cathedral. Eliot’s essay “Poetry and Drama” reflects on the nature of poetic drama and its role in expressing spiritual and moral dilemmas. His exploration of the interplay between poetry and drama informs the stylistic choices in Murder in the Cathedral, particularly the use of verse to convey the gravity of the subject matter.
Unit 2: Background, Production, and Performance History
This unit provides an overview of the historical context of the play, its initial production, and subsequent performances. Murder in the Cathedral was commissioned for the Canterbury Festival in 1935, with the first performance taking place in the Chapter House of Canterbury Cathedral. The production was directed by E. Martin Browne, and Robert Speaight portrayed Thomas Becket. The play was later performed at the Mercury Theatre in London and has been staged in various venues worldwide. Notably, it was adapted into a film in 1951, directed by George Hoellering, and has been broadcast on television and radio over the years.
Unit 3: Critical Approaches to the Play – I
This unit explores the initial critical responses to Murder in the Cathedral. Early critics praised the play’s poetic language and its successful blending of religious themes with dramatic action. The use of a chorus, reminiscent of Greek tragedy, was noted for adding a communal dimension to the narrative. Critics also highlighted the play’s exploration of the moral and spiritual dimensions of Becket’s martyrdom, emphasizing its relevance to contemporary issues of authority and individual conscience.
Unit 4: Critical Approaches to the Play – II
Building on earlier analyses, this unit delves deeper into the thematic complexities of Murder in the Cathedral. Scholars have examined the play’s treatment of free will and predestination, particularly in the context of Becket’s decision to face martyrdom. The interplay between temporal power and spiritual authority is scrutinized, with attention to Eliot’s portrayal of the political and religious tensions of the 12th century. Additionally, the character of Becket is analyzed as a tragic hero who grapples with internal and external conflicts, embodying the struggle between personal ambition and divine will.
Unit 5: General Comments and Other Readings
The final unit offers a broader perspective on Murder in the Cathedral, considering its place within Eliot’s oeuvre and its impact on modern drama. The play is recognized for revitalizing religious drama in the 20th century, demonstrating the enduring power of spiritual themes in contemporary theatre. Other readings include comparisons with Eliot’s other plays, such as The Cocktail Party and The Family Reunion, highlighting recurring motifs and thematic concerns. The unit also suggests further readings on the history of martyrdom and the role of the church in medieval society to deepen understanding of the play’s context.