Here you will get the detailed summary of IGNOU MEG 7 Block 6 – The Short Story.
We have provided the summary of all units starting from unit 1 to unit 6.
Introduction
IGNOU MEG-7 Block 6, titled The Short Story, explores the development and diversity of the short story form in Indian English literature. This block introduces readers to the theoretical framework of the short story as a genre and offers in-depth discussions of key Indian authors who have significantly contributed to this literary form. Through a range of representative voices—from early modernists to contemporary writers—the block examines how the short story has evolved as a vehicle for exploring Indian life, identity, gender, culture, and social transformation in a concise yet powerful narrative mode.
Unit 1 – About the Short Story
This unit lays the foundational understanding of the short story as a genre.
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It distinguishes the short story from other forms like the novel by highlighting its brevity, unity of impression, and focus on a single incident or character.
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The short story is seen as a modern form, often rooted in realism, but it can also engage with fantasy, allegory, or social commentary.
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Important characteristics include:
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Economy of language
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Concentration on mood or tone
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Abrupt or suggestive endings
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Indian English short fiction emerged from both oral storytelling traditions and Western literary influences, taking on unique cultural dimensions in the Indian context.
Unit 2 – R.K. Narayan
This unit analyzes the contribution of R.K. Narayan, one of the pioneers of Indian English fiction.
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His short stories are set mostly in Malgudi, a fictional South Indian town, reflecting the humour, irony, and everyday struggles of common people.
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Narayan’s characters are:
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Middle-class or lower-middle-class individuals
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Often caught between tradition and modernity
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His style is marked by simplicity, subtle humour, and compassionate detachment.
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Narayan presents small events and moral dilemmas that open up larger questions of human nature and society.
Unit 3 – Arun Joshi and Manoj Das
This unit presents contrasting short story styles through two significant writers.
Arun Joshi:
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Known for his psychological depth and themes of existential angst.
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His stories often explore urban alienation, moral conflict, and spiritual emptiness.
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Characters are typically introspective and disconnected from society, reflecting post-independence disillusionment.
Manoj Das:
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A bilingual writer who blends folklore, fantasy, and realism.
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His stories reflect spiritual insight and a sense of Indian mysticism.
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His narrative style balances humour, irony, and philosophical undertones.
Unit 4 – Subhadra Sen Gupta and Raji Narasimhan
This unit examines two women writers who use the short story to reflect social issues and inner conflicts.
Subhadra Sen Gupta:
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Known for her contemporary settings and relatable characters, especially among youth.
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Focuses on changing gender roles, family structures, and urban life challenges.
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Combines light humour with serious social concerns.
Raji Narasimhan:
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Her stories delve into female subjectivity, interpersonal relationships, and emotional complexity.
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Often depicts women struggling within patriarchal settings, asserting their inner voice and individuality.