IGNOU MEG 1 Solved Question Paper June 2023 | British Poetry
- Last Updated On August 11, 2025
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Welcome to our blog, In this post, we’re sharing the IGNOU MEG 1 Solved Question Paper of June 2023 examination, focusing on British Poetry.
This guide is here to help you prepare for your exams with clear answers and explanations. Whether you’re just starting or revising for your exams, this resource will make studying easier and more effective. Let’s dive in and get ready to ace your IGNOU MEG 1 exam.
In this post, we’ll discuss all the answers including the short and long answer questions.
In IGNOU MEG 1 Examination answering question number 1 is compulsory for all the students as it contains the short answer questions.
So whether you are a student of IGNOU MEG 1 looking to ace your examination or a learner willing to increase your knowledge, this blog post will help you in all the ways possible.
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Question 1
1) Answer any two of the following with reference to the context :
(a) Was it a dreame, or did I see it playne, a goodly table of pure yvory : all spred with iuncats, fit to entertayne, the greatest prince with pompous roialty.
Answer –
In Sonnet LXXVII by Edmund Spenser, the opening lines, “Was it a dreame, or did I see it playne, / a goodly table of pure yvory: / all spred with iuncats, fit to entertayne, / the greatest Prince with pompous roialty,” introduce a dream-like vision where the speaker questions the reality of what he has witnessed. The “goodly table of pure yvory” serves as a symbol of something precious and pure, suitable for royalty. This imagery of a lavishly spread banquet table, adorned with delicacies (“iuncats”) fit to entertain a prince, evokes a sense of grandeur and luxury.
The table metaphorically represents the beloved’s breast, richly adorned and offering both physical and spiritual nourishment. The comparison to a table fit for “the greatest Prince with pompous roialty” elevates the beloved’s beauty and worth, likening her to an object of royal desire, something to be revered.
The poet’s uncertainty—”Was it a dreame, or did I see it playne”—highlights the elusive nature of love and beauty, blending the tangible with the intangible. This ambiguity enhances the idealization of the beloved, positioning her as an ethereal figure beyond ordinary human experience. The dreamlike quality of the scene reflects the poet’s deep admiration and the almost mystical allure of the beloved, making her a symbol of perfection and divine grace.
(b) All human things are subject to decay, And when fate summons monarchs must obey.
Answer –
In the lines “All human things are subject to decay, / And when fate summons monarchs must obey,” the poet reflects on the inevitability of decay and death that all beings, regardless of their status or power, must face. These lines emphasize the transient nature of life and the ultimate power of fate, which even monarchs—symbols of ultimate authority and grandeur—cannot escape.
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(c) Morning and evening
Maids heard the goblins cry :
“Come buy our orched fruits,
Come buy, come buy : ….”
Answer –
In the lines “Morning and evening / Maids heard the goblins cry: / ‘Come buy our orchard fruits, / Come buy, come buy,'” from Christina Rossetti’s poem Goblin Market, the poet introduces the enchanting yet ominous presence of the goblins who tempt the maids with their luscious fruits. These lines set the tone for the poem, highlighting the dual nature of the goblins’ offer—both alluring and dangerous.
The repetition of “Morning and evening” emphasizes the persistent and pervasive nature of the goblins’ call, suggesting that their temptation is a constant presence in the lives of the maids. The goblins’ cry is enticing, drawing the maids with the promise of sweet, exotic fruits from the orchard, a symbol of both natural beauty and potential danger. The use of the word “cry” rather than “call” or “invite” gives a slightly more urgent and unsettling tone, indicating that the goblins’ intentions may not be entirely benign.
The phrase “Come buy, come buy” is repeated, mimicking the repetitive, hypnotic chant of street vendors, but in this context, it also takes on a more sinister connotation. The fruits the goblins offer represent not just physical nourishment but also a metaphorical temptation, possibly alluding to the forbidden fruit in the Garden of Eden. This temptation is especially targeted toward the maids, who are depicted as innocent and vulnerable to the goblins’ seductive offers.
Rossetti’s portrayal of the goblins as mysterious and persuasive figures reflects the broader themes of temptation, desire, and the consequences of yielding to such enticements. The imagery of the goblins and their fruits serves as a warning about the dangers that lurk beneath the surface of seemingly attractive offers, especially for the young and naive. These lines encapsulate the poem’s exploration of the tension between innocence and corruption, and the ever-present risks associated with succumbing to temptation.
(d) That is no country for old men
The young
In one another’s arms, birds in the trees
–Those dying generations & at their song,
The salmon-falls, the mackerel-crowded seas.
Answer –
The lines “That is no country for old men / The young / In one another’s arms, birds in the trees / –Those dying generations – at their song, / The salmon-falls, the mackerel-crowded seas” from William Butler Yeats’s poem Sailing to Byzantium convey a vivid contrast between the vitality of youth and the inevitability of aging and mortality.
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Question 2
2) Examine the main characteristics of metaphysical poetry, giving examples from the poems in your course.
Answer –
Metaphysical poetry, which emerged in the early 17th century, is characterized by its intellectual complexity, inventive use of conceits (extended metaphors), and deep exploration of themes like love, religion, and mortality. Poets like John Donne, George Herbert, and Andrew Marvell are central figures in this movement, known for blending emotional intensity with intellectual rigor.
One of the most distinctive features of metaphysical poetry is the use of conceits, which create surprising and often elaborate connections between seemingly unrelated ideas. For example, in John Donne’s The Flea, the speaker uses the image of a flea that has bitten both him and his lover to argue that their blood mingling in the insect is akin to a physical union, thus justifying their potential relationship. This clever, almost playful comparison showcases the poet’s ability to turn a mundane situation into a profound meditation on love and intimacy.
Another important aspect of metaphysical poetry is its focus on religious and spiritual themes, often presented through personal reflection. In George Herbert’s poem The Collar, the speaker begins by expressing frustration with his life of service to God, but eventually hears God’s voice calling him “Child,” leading to his submission to divine will. This inner conflict and ultimate reconciliation with faith is a common theme in metaphysical poetry, reflecting the poets’ deep engagement with spiritual matters.
Paradoxes and complex arguments are also key elements of metaphysical poetry. In Donne’s Holy Sonnet 10 (“Death, be not proud”), the speaker challenges the power of death, describing it as merely a “short sleep” before eternal life. The paradoxical ending, “Death, thou shalt die,” encapsulates the poet’s belief in the ultimate victory over death, showcasing the intellectual depth of metaphysical poetry.
The imagery in metaphysical poetry is often elaborate and requires careful reading. Andrew Marvell’s To His Coy Mistress uses hyperbolic imagery to persuade his lover to seize the moment, blending sensuality with the inevitability of time and death. The famous lines, “But at my back I always hear / Time’s wingèd chariot hurrying near,” reflect the urgency and intensity typical of metaphysical poetry.
Finally, the conversational tone found in many metaphysical poems, such as Donne’s The Good-Morrow, draws the reader into a close, intimate dialogue. The direct address to the lover in the opening lines creates an immediate sense of connection, which is then deepened through the poem’s intricate exploration of love and unity.
In conclusion, metaphysical poetry is marked by its intellectual challenges, inventive metaphors, and deep exploration of both earthly and spiritual concerns. The works of Donne, Herbert, and Marvell illustrate the unique qualities of this genre, making it a significant and enduring part of English literature.
Question 3
3) Analyze the different thematic strands in ‘Lycidias’.
Answer –
John Milton’s Lycidas is a pastoral elegy that intricately weaves together multiple themes, reflecting on grief, the transience of life, the poet’s role, and religious faith. These themes are central to the poem’s meditation on the untimely death of Edward King, who is represented by Lycidas.
- Grief and Loss: The poem is rooted in the deep sense of grief over the death of Edward King. Through the pastoral convention, Milton expresses this sorrow by reflecting on the impact of Lycidas’s death not only on himself but on the broader community. The elegiac tone conveys the pain of losing someone young and full of potential, making the loss all the more poignant.
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Question 4
4) Would you consider Alexander Pope’s ‘An Epistle to Dr. Arbuthnot’ to be a satire ? Discuss.
Answer –
Alexander Pope’s An Epistle to Dr. Arbuthnot is indeed a satire, one of the most biting and personal in his oeuvre. The poem, written as a letter to his friend Dr. John Arbuthnot, serves as a defense of Pope’s career and a critique of his literary enemies. It showcases Pope’s mastery of satirical verse, where he uses wit, irony, and moral criticism to expose the follies and vices of individuals and society.
- Satirical Targets: The poem targets several of Pope’s contemporaries, whom he considered to be corrupt or talentless. He famously ridicules Colley Cibber and Joseph Addison, among others, using sharp and memorable character sketches. For instance, he describes Cibber as “the king of dunces,” a phrase that captures his disdain for Cibber’s perceived lack of literary merit. Through these attacks, Pope critiques the state of literary culture in his time, which he saw as being degraded by mediocre writers who sought fame and fortune without possessing true talent.
- Personal Defense: Pope uses the poem to defend himself against the criticism he faced throughout his career. He portrays himself as a man of principle, writing for the sake of truth and moral instruction, rather than for personal gain. This self-portrait is crafted with a blend of humility and pride, as he acknowledges his physical frailties and controversial reputation while asserting his integrity and dedication to his craft. The poem thus serves as both an attack on his detractors and a justification of his own conduct.
- Irony and Wit: Pope’s use of irony is central to the satirical nature of the poem. He often undercuts his apparent praise with biting sarcasm, as seen in his treatment of Lord Hervey, whom he sarcastically refers to as “Sporus.” The wit and elegance of Pope’s language enhance the satirical effect, making his critiques not just harsh but also entertaining.
- Moral Critique: Beyond personal invective, the poem also engages in broader social criticism. Pope criticizes the corrupting influence of money, power, and vanity on literature and society. He laments the rise of sycophants and opportunists who, in his view, undermine the values of true art and intellectual honesty. This moral dimension elevates the poem from mere personal attack to a commentary on the ethical decay Pope perceived in his society.
In conclusion, An Epistle to Dr. Arbuthnot is a powerful example of satire, where Pope uses his poetic talent to critique both individuals and the larger social and literary trends of his time. The poem combines personal invective with broader moral and cultural criticism, making it a quintessential work of satirical literature.
Question 5
5) Comment on the “Uniqueness of Byron and Shelley” as poets.
Answer –
Byron and Shelley are two of the most influential Romantic poets, each offering a unique voice and perspective that defines their work.
- Lord Byron: Byron’s distinctiveness is evident in his creation of the “Byronic hero,” a complex character marked by brooding disillusionment and rebellion. This archetype, featured prominently in works like Childe Harold’s Pilgrimage and Don Juan, exemplifies his exploration of individualism and existential angst. Byron’s poetry often reflects a cynical view of society and personal moral struggles, coupled with a satirical tone that critiques societal norms. His charismatic, defiant heroes challenge traditional values and highlight the tension between personal desires and societal expectations.
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Question 6
6) Discuss the Pre-Raphaelite treatment of women based on your reading of ‘My Sister’s Sleep’ and ‘The Blessed Damozel’.
Answer –
The Pre-Raphaelite treatment of women in poetry, as seen in Dante Gabriel Rossetti’s “My Sister’s Sleep” and “The Blessed Damozel”, reflects the movement’s fascination with idealized, ethereal femininity and its exploration of themes related to death, longing, and spiritual transcendence.
- “My Sister’s Sleep”: In this poem, Rossetti portrays a deeply emotional and melancholic view of female suffering. The poem centers on the death of the speaker’s sister, presenting her in a state of eternal sleep. The Pre-Raphaelite emphasis on the idealization of women is evident here, as the sister is depicted with a sense of serene beauty and purity. The poem reflects the Pre-Raphaelite obsession with medieval and Gothic themes, idealizing the deceased as a figure of pure, untroubled beauty in death. The focus on the sister’s passive, almost saintly state reinforces the Pre-Raphaelite idealization of women as symbols of beauty and virtue, removed from the harsh realities of life.
- “The Blessed Damozel”: In contrast, “The Blessed Damozel” presents a vision of female longing and spiritual transcendence. The poem depicts a woman who has died and now gazes longingly from heaven, awaiting her lover’s arrival. The Pre-Raphaelite portrayal of the damozel reflects both a deep sense of idealized love and a poignant sense of separation. The damozel is portrayed as an ethereal, almost angelic figure, embodying an ideal of pure, eternal love. This idealization underscores the Pre-Raphaelite fascination with transcendent beauty and spiritual purity. The focus on the damozel’s longing and her ethereal presence aligns with the movement’s interest in portraying women as idealized, otherworldly beings who embody both beauty and emotional depth.
- Themes and Aesthetic: Both poems reflect the Pre-Raphaelite fascination with medieval and mythological themes, using women as symbols of idealized beauty and emotional purity. In “My Sister’s Sleep”, the idealization is tied to themes of death and the eternal, while in “The Blessed Damozel”, it is associated with spiritual longing and transcendence. The Pre-Raphaelites often depicted women in roles that emphasized their ethereal and idealized qualities, contrasting sharply with the more complex, less idealized portrayals found in other literary traditions.
In summary, the Pre-Raphaelite treatment of women in “My Sister’s Sleep” and “The Blessed Damozel” reflects a fascination with idealized beauty, spiritual purity, and the emotional depth of female characters. These poems illustrate the movement’s tendency to portray women as symbols of transcendent beauty and virtue, often removed from the realities of earthly existence.
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Question 7
7) Write a critique of any one of the following poets :
(a) Andrew Marvell
(b) T. S. Eliot
(c) Oscar Wilde
(d) Dylan Thomas
Answer –
a) Critique of Andrew Marvell
Andrew Marvell (1621-1678) stands as a distinguished figure in 17th-century English poetry, renowned for his innovative use of form and his engagement with both metaphysical and political themes. His work is characterized by a blend of wit, philosophical depth, and political insight, distinguishing him as a key poet of the metaphysical tradition.
Innovative Use of Form: Marvell’s poetry is notable for its formal experimentation. His most famous poem, “To His Coy Mistress,” exemplifies his skill in using the metaphysical conceit, a hallmark of the period. The poem’s structure—a blend of carpe diem philosophy and elaborate argument—demonstrates Marvell’s ability to craft persuasive and imaginative poetic arguments. The poem’s playful exploration of time and desire showcases Marvell’s unique blend of intellectual rigor and sensuality.
Philosophical and Political Engagement: Marvell’s work often reflects his engagement with contemporary political and philosophical issues. In poems such as “An Horatian Ode upon Cromwell’s Return from Ireland,” Marvell addresses the complexities of political power and its impact on society. His nuanced portrayal of Cromwell reflects Marvell’s ambivalence toward the political changes of his time, combining praise with a critical examination of the implications of authority and revolution.
Metaphysical and Nature Themes: Marvell’s metaphysical poetry frequently explores themes of nature, love, and spirituality. His use of vivid imagery and elaborate conceits creates a richly textured poetic experience. In “The Garden,” Marvell’s depiction of nature as a sanctuary from worldly concerns reflects his philosophical meditation on the relationship between humanity and the natural world. The poem’s lush imagery and contemplative tone reveal Marvell’s deep engagement with the metaphysical tradition.
Impact and Legacy: Marvell’s influence extends beyond his own time, impacting subsequent generations of poets with his innovative use of language and form. His blending of metaphysical wit with lyrical beauty has inspired numerous poets and critics. Marvell’s ability to weave together personal, philosophical, and political themes demonstrates his versatility and enduring relevance.
Conclusion: Andrew Marvell’s poetry is marked by its intellectual rigor, formal innovation, and engagement with both metaphysical and political themes. His ability to blend wit, philosophical insight, and lyrical beauty makes him a significant figure in English literature. Marvell’s work continues to be studied and appreciated for its rich exploration of human experience and its inventive use of poetic form.
b) Critique of T. S. Eliot
S. Eliot (1888-1965) is a seminal figure in modernist poetry, known for his transformative impact on 20th-century literature. His work is renowned for its innovative techniques, thematic complexity, and deep engagement with historical and cultural contexts.
Modernist Techniques: Eliot’s poetry exemplifies modernist experimentation, employing techniques such as fragmentation, allusion, and stream-of-consciousness. In “The Waste Land,” for example, Eliot uses a fragmented structure and dense intertextual references to mirror the disintegration of modern society. The poem’s non-linear form and diverse voices reflect the chaos and uncertainty of the post-World War I era, challenging readers to engage with the complexities of contemporary existence.
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c) Critique of Oscar Wilde
Oscar Wilde (1854-1900) is renowned for his sharp wit, aesthetic sensibility, and incisive critique of Victorian society. His works, spanning both plays and poetry, reflect his commitment to aestheticism and his challenge to societal norms.
Aestheticism and Wit: Wilde’s dedication to aestheticism is apparent in his literary output, where he prioritizes beauty for its own sake. His novel, “The Picture of Dorian Gray,” embodies this philosophy, exploring the interplay between beauty, morality, and corruption. Wilde’s use of wit and epigrams, especially in plays like “The Importance of Being Earnest,” showcases his mastery of satire. His sharp, often humorous commentary on social conventions reveals his skill in critiquing the rigid societal norms of his time.
Critique of Victorian Society: Wilde’s works frequently challenge the hypocrisies and moral rigidity of Victorian society. In plays such as “An Ideal Husband” and “The Importance of Being Earnest,” he exposes the pretensions and contradictions of the era. By employing humor and irony, Wilde critiques the superficiality and strictures of Victorian norms, highlighting the discrepancies between societal expectations and human behavior.
Themes of Duality and Morality: Wilde’s exploration of duality and moral complexity is a central theme in “The Picture of Dorian Gray.” The protagonist’s outwardly flawless appearance contrasts sharply with his internal moral decay, reflecting Wilde’s fascination with the conflict between public image and private reality. This duality underscores Wilde’s broader themes of appearance versus reality and the consequences of living a double life.
Legacy and Influence: Wilde’s impact on literature extends well beyond his lifetime. His innovative use of language and his bold exploration of social issues have influenced subsequent writers and critics. His plays and writings are celebrated for their aesthetic quality, wit, and sharp social commentary, securing his place as a significant figure in literary history.
Conclusion: Oscar Wilde’s literary contributions are marked by their commitment to aestheticism, their incisive wit, and their critique of Victorian societal norms. His exploration of beauty, morality, and social issues has left a lasting impression, ensuring his enduring relevance in the world of literature.
d) Critique of Dylan Thomas
Dylan Thomas (1914-1953) stands out in 20th-century poetry for his rich imagery, musical language, and emotional intensity. His work, renowned for its lyrical quality and thematic depth, showcases his unique voice and vision.
Lyrical and Musical Language: Thomas’s poetry is celebrated for its musicality and lyrical beauty. In “Do Not Go Gentle into That Good Night,” he employs repetitive refrains and striking imagery to create a powerful emotional effect. The poem’s structure, with its insistent plea against the passive acceptance of death, exemplifies Thomas’s skill in merging sound and sense. His ability to craft verse that resonates both sonically and emotionally contributes to the musicality and impact of his poetry.
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Question 8
8) Attempt a critical appreciation of any one of the following poems :
(a) ‘Affection’
(b) ‘Alexander’s Feast on the Power of Music’
(c) ‘The Waste Land’
(d) ‘Fern Hill’/‘Purdah’
Answer –
a) critical appreciation of ‘Affection’ by Andrew Marvell
Andrew Marvell’s poem “Affection” delves into the complexities of love and its persistent yet fragile nature. The poem opens with a reflective tone, pondering the nature of affection and its capacity to endure despite the trials of time and change. Marvell’s use of metaphor and imagery is central to understanding the poem’s thematic concerns.
The poem is characterized by its exploration of how affection remains steadfast despite external changes. Marvell employs rich metaphors to convey the idea that true affection transcends physical and temporal boundaries. For instance, the comparison of affection to an “unmovable” force highlights its resilience. The poet contrasts this enduring quality with the inevitable decay and impermanence that life brings, illustrating the tension between the ideal and the real.
Marvell’s language oscillates between tenderness and melancholy, capturing the dual nature of affection as both a source of joy and a reminder of life’s transience. The imagery of time and change is interwoven with expressions of deep emotional commitment, emphasizing how affection can both endure and be challenged by the realities of life.
The poem’s structure supports its thematic exploration, with a contemplative tone that invites readers to reflect on their own experiences of love and its challenges. Marvell’s nuanced treatment of affection reveals his awareness of its complexities, making “Affection” a poignant meditation on the enduring yet fragile nature of emotional bonds.
Overall, “Affection” stands out for its insightful exploration of love’s persistence and vulnerability. Marvell’s use of metaphor and imagery effectively conveys the dual nature of affection, making the poem a rich and contemplative piece on the nature of human emotions.
b) critical appreciation of ‘Alexander’s Feast’ by John Dryden
John Dryden’s “Alexander’s Feast” is a masterful ode that celebrates the transformative power of music through a vivid retelling of a historical event. The poem dramatizes the feast of Alexander the Great, where the music of Timotheus evokes profound emotional responses from the king and his guests.
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